Fizzi presents
exmagician
(Bella Union)
plus support from
Sous Les Paves
Them Dead Beats
Thursday 28th April 2016

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The Moon Club, Cardiff
Doors 7:30pm / 18+ / £5adv
Tickets available from:
SeeTickets.com
WeGotTickets.com
Ticketweb.co.uk
Spillers Records
The Full Moon

exmagician
Debut album – Scan The Blue
Released via Bella Union on March 25th 2016

With their ‘Kiss That Wealth Goodbye’ EP garnering support at BBC Radio 1BBC Radio 6 MusicAbsolute Radio and stateside on KEXP, Belfast duo exmagician announce the release of their debut album in March 2016.

‘Scan The Blue’ – released on Bella Union on March 25th – showcases a heady mix of guitars meeting synths and spiraling threads of psychedelia from the latest musical incarnation of longtime collaborators Danny Todd and James Smith. As the songwriting partnership behind Cashier No. 9, the band released the David Holmes produced album ‘To The Death Of Fun’ in 2011 to widespread critical acclaim.

Their new venture is propelled by a love of adventurous, psychedelic sounds, apparent from the opening bars of lead track ‘Kiss That Wealth Goodbye’. Steaming in with a filthy riff that’s the product of a guitar and a synth melding together making one sound indecipherable from the other.

“It’s like early Beefheart meets Add N To X,” says Danny – a measure of just how broad the duo’s influences are. “David [Holmes] lent me a Korg MS-20 and then I bought one myself. That synth shaped a lot of the record.”

‘Job Done’ sees the pair craft field recordings captured in and around Belfast to create a hazy garage rock crush. A song about “begging for forgiveness,” it’s formed from the unlikeliest of sources. “I managed to capture a great clip from a guy playing bagpipes.,” says Danny of the field recordings. “We tuned the guitars down to the pitch of the pipes and played around with a couple of chords that sound like they’re sawing and chopping their way through the whole song.”

Elsewhere, the spaced out groove of ‘Place Your Bets’ sees a soaring falsetto echo over shuffling synthesisers, giving way to a widescreen coda and haunting trumpet solo from guest Linley Hamilton.

‘Bend With The Wind’ had a less traditional start. “I was learning to play the spoons around the time of writing this song” Danny remembers. “You can hear me clattering on them at the start. I wanted this song to sound a little bit broken, confused, nervous but at the same time triumphant.”

The broken and the lonely continues with a nod to late-period Pavement at their most graceful, sliding inside ‘Smile To The Gallery’, its gentle sway dotted with glistening beads of electric guitar, nudging towards a heady transcendence that appears later in full, psychedelic shoegaze glory on title track ‘Scan The Blue’, a shimmering ambient finale that even took the duo themselves by surprise.

“Scan The Blue changed drastically at the last minute,” says Danny. “Originally it had galloped along with a Scott Walker type vibe. At the last minute during mixing we accidentally muted some tracks, stood back and our jaws dropped at how beautiful it sounded. As if the song had been waiting to show off this cinematic side. A lot of swooning synths and vocals and a silly amount of overdubs. An optimistic sentiment on a grey day.”

Self-written and produced with the help of Rocky O’Reilly (And So I Watch You From Afar, General Fiasco, Mojo Fury), Danny and James’s decision to take the production reins came from their reverential response to songcraft. Each track carefully crafted over time and only tweaked when they knew they were ready to be heard.

“The song is king,” says James. “It has to be bulletproof before we start fucking about with it at all.”

After so many years of friendship and collaboration, these two songwriter-producers have fallen deeper into the music that binds them than ever before. And as for subject matter, don’t expect love songs. “Hope, trust and revenge,” says Danny of their inspiration, “they always fall into those three categories.”

Sous Les Paves are a South Wales-based bass & drums duo who combine elements of electronica, jazz, noise, experimental rock and ambient musical styles. Comprising of N. Harrison (drums + electronics) and D. Smith (bass + sound manipulation), our intention is nothing less than the total subversion of the spectacle via a startling synthesis of off-kilter meters, emergent melodies, instrumental intensity and swirling layers of loops, synths and samples.

Them Dead Beats
A two-piece rock ‘n’ roll outfit hailing from the glamorous suburbs of Barry but with feet now firmly planted in the heart of Cardiff, Them Dead Beats deliver a whirlwind of filth infused garage rock and blues on a weekly basis.
Leading this Steptoe duo is Matt Taylor. Taking vocal styling’s from the more unique areas of blues and rocks chequered history, Matt never fails to deliver a raucous performance with his buzz saw vocals never failing to make an impact.
Keeping the backbone strong is Rhys Gallivan. Acting almost as a second frontman, Rhys multi-tasks in providing thunderous rhythms as well as stoking the crowd into a dance floor frenzy.
They wear their influences on their sleeves with obvious nods to Tom Waits, The White Stripes, Bob Dylan, The Black Keys, The Doors and more.
Together they produce music reminiscent of analogue warmth and dirty dancehalls. With tracks being as varied as Break In, Strange Pop and Stop and Down By The River these two musical scoundrels are versatile in style without ever straying too far from their crowd pleasing tone.